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SALE The Cambridge Companion to Jewish Music

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SALE The Cambridge Companion to Jewish Music

This book is unused and unread. It may have minor cosmetic imperfections such as scuffing, creasing or fading.

This book cannot be discounted further.

The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.

  • Combines approaches to classical, religious, folk, and popular music in a diverse range of historical, political, and cultural contexts
  • Offers an international approach to the subject with a variety of perspectives from leading authors in the US, Europe, and Israel
  • Can be used as a textbook for students, a general interest book, and an introductory resource for researchers

This book is unused and unread. It may have minor cosmetic imperfections such as scuffing, creasing or fading.

This book cannot be discounted further.

The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.

  • Combines approaches to classical, religious, folk, and popular music in a diverse range of historical, political, and cultural contexts
  • Offers an international approach to the subject with a variety of perspectives from leading authors in the US, Europe, and Israel
  • Can be used as a textbook for students, a general interest book, and an introductory resource for researchers
$79.18
SALE The Cambridge Companion to Jewish Musicβ€”
$79.18

Description

This book is unused and unread. It may have minor cosmetic imperfections such as scuffing, creasing or fading.

This book cannot be discounted further.

The term 'Jewish music' has conveyed complex and diverse meanings for people around the world across hundreds of years. This accessible and comprehensive Companion is a key resource for students, scholars, and everyone with an interest in the global history of Jewish music. Leading international experts introduce the broad range of genres found in Jewish music from the biblical era to the present day, including classical, religious, folk, popular, and dance music. Presenting a range of fresh perspectives on the subject, the chapters explore Jewish liturgy, Klezmer, music in Israel, the music of Yiddish theatre and cinema, and classical music from the Jewish Enlightenment through to the postmodern era. Additional contributions set Jewish music in context and offer an overview of the broader issues that arise in its study, such as questions of Diaspora, ontology, economics, and the history of sound technologies.

  • Combines approaches to classical, religious, folk, and popular music in a diverse range of historical, political, and cultural contexts
  • Offers an international approach to the subject with a variety of perspectives from leading authors in the US, Europe, and Israel
  • Can be used as a textbook for students, a general interest book, and an introductory resource for researchers